Broj zapisa31.127
Broj koncepata16.674
Metapodaci647.829
Broj dijelova840.878
Broj datoteka38.319
Pohranjeno304.41 GB
#NaslovAutorstvoPredmetniceStranice
#NaslovAutorstvoPredmetniceStranice
1.
What Johann Mattheson said about the French Royal Academy of Sciences in Das forschende Orchestre to Vindicate his practical and aesthetic approach to musicianship for the Galant HommePearson, Ian D.169 – 185
2.
Multiple "Personas" in parallel worlds: Shakespeare's ghosts and return of Schubert's "Doppelgänger"Barry, Barbara R187 – 206
3.
Robert Schumann and the French liedYeoland, Rosemary207 – 224
4.
In the face of the Other: contemporary composers' reflections on the (ideal) listenerSchreiber, Ewa225 – 244
5.
Singing across cultures: an auto-ethnographic studyMani, Charulatha245 – 264
6.
Embodying "Socialists emotions" via music and image on the example of Polish folk ensembles "Mazowse" and "Slask"Piotrowska, Anna G265 – 280
7.
Music-publicist discourse in Croatia from the Students' perspective: usefulness and credibility of music-analytical textsDuraković, Lada
Vidulin, Sabina
281 – 301
8.What Johann Mattheson said about the French Royal Academy of Sciences in Das forschende Orchestre to Vindicate his practical and aesthetic approach to musicianship for the Galant HommePearson, Ian D.169 – 185
9.Multiple "Personas" in parallel worlds: Shakespeare's ghosts and return of Schubert's "Doppelgänger"Barry, Barbara R187 – 206
10.Robert Schumann and the French liedYeoland, Rosemary207 – 224
11.In the face of the Other: contemporary composers' reflections on the (ideal) listenerSchreiber, Ewa225 – 244
12.Singing across cultures: an auto-ethnographic studyMani, Charulatha245 – 264
13.Embodying "Socialists emotions" via music and image on the example of Polish folk ensembles "Mazowsze" and "Śląsk"Piotrowska, Anna G265 – 280
14.Music-publicist discourse in Croatia from the Students' perspective: usefulness and credibility of music-analytical textsDuraković, Lada
Vidulin, Sabina
281 – 301