Probrano po: Vol. 56, no. 1(2025) / editor-in-Chief, glavni i odgovorni urednik Stanislav Tuksar CL:10001
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An Axiological Analysis of Pop Music and the Political Connotations across the Czechoslovak Bratislavská lýra Pop Music Festivals (1966–1998) / Yvetta Kajanová
An Axiological Analysis of Pop Music and the Political Connotations across the Czechoslovak Bratislavská lýra Pop Music Festivals (1966–1998) / Yvetta Kajanová
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DOI: 10.21857/m8vqrt3zp9
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1
Cognition sociale incarnée et écoute conjointe chez les musiciens / Bruno Deschênes
Cognition sociale incarnée et écoute conjointe chez les musiciens / Bruno Deschênes
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DOI: 10.21857/m16wjcw6v9
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2
Hanslick versus Hanslick? Reframing the Relationship between Hanslick’s Aesthetics and Criticism, or: Hanslick’s Aesthetics of the Musical Theme / Alexander Wilfing
Hanslick versus Hanslick? Reframing the Relationship between Hanslick’s Aesthetics and Criticism, or: Hanslick’s Aesthetics of the Musical Theme / Alexander Wilfing
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DOI: 10.21857/9e31lhznjm
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3
Lines of Intention 20th-Century Composers’ Performances of Their Own Piano Works through Deleuze and Guattari’s Lens / Liang Deng, Ting Tang
Lines of Intention 20th-Century Composers’ Performances of Their Own Piano Works through Deleuze and Guattari’s Lens / Liang Deng, Ting Tang
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DOI: 10.21857/ydkx2cvrq9
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4
Music, Culture and its Discontents. Part 1: The Making of a Motif / Barbara Barry
Music, Culture and its Discontents. Part 1: The Making of a Motif / Barbara Barry
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DOI: 10.21857/mzvkptozd9
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5
Towards a Renewed Approach to Musical Interpretation: Examples of Performance-Based Pieces of Musical Notes Written for the Clarinet / Anıl Çelik
Towards a Renewed Approach to Musical Interpretation: Examples of Performance-Based Pieces of Musical Notes Written for the Clarinet / Anıl Çelik
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DOI: 10.21857/yrvgqt3k79
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What Johann Mattheson Said about the Origin of Music and Ancient Greek Scholarship in His Three Orchestre Treatises to Vindicate his Practical and Aesthetic Approach to Musicianship for the Galant Homme / Ian D. Pearson
What Johann Mattheson Said about the Origin of Music and Ancient Greek Scholarship in His Three Orchestre Treatises to Vindicate his Practical and Aesthetic Approach to Musicianship for the Galant Homme / Ian D. Pearson
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DOI: 10.21857/90836c2wly
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7